This work employs Harvey's innovative stippling, where he placed tiny points of color adjacent to one another to create an effect of light, a technique that prefigured the Neo-Impressionist technique of Pointillism. The painting conveys a feeling of quiet serenity, as the canal takes up the foreground of the painting and draws the viewer's eye toward the low horizon where the small town of Pittsford is visible beneath the autumnal sky, but the town does not disturb the natural configurations of the land. The hill on the right is subtly illuminated by sunlight, and a number of ducks swim along the banks of the canal. On the tree-lined road along the edge of the canal, two horses are driven by a man on horseback, while at the bend in the low middle distance a boat comes into view around the curve known as King's Bend. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.This proto-Luminist landscape depicts the Erie Canal and focuses on the canal's quiet waters reflecting the light of the softly glowing sky. We will promptly address any issues that may arise with your order. We will replace any lost or damaged items at no expense to you. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We do not drop ship, resell or make use of third-party production partners.Īll orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Every print has been proofed, calibrated and inspected for defects. To assure artistic quality, all of our production and design is strictly in-house. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Giclée process prints are the gold standard in fine art reproduction. We will print any public domain or openly licensed image that is available in high resolution. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. In such cases, we will provide a mockup to ensure that the final product meets with your approval. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. We are happy to customize our prints to fit your frame. Should you like any advice, feel free to reach out. There are many styles from which to choose.įraming is a fun, creative process that enhances the artwork and livens your space for years to come. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames the borders providing a mat-like accent around the image. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. We believe that the purpose of art is not to fill a frame it is the purpose of a frame to showcase the art. ![]() These modifications - sometimes trivial, sometimes ludicrous - are not always shown in the product photos. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. ![]() The original works are usually too long, or too short, to neatly fill a store-bought frame. Coaxed by advance publicity and highly favorable press reviews, several hundred spectators flocked to admire it during its seven-week run.Ĭredit Line: Text courtesy of The Cleveland Museum of Art. Rather than debut this painting in an annual exhibition with works by other artists as was the custom, Church instead exhibited it by itself at a prestigious art gallery. Church's considerable technical skills and clever showmanship contributed to his fame as the premier artist of his generation. Created on the eve of the Civil War, the painting's subject can be interpreted as symbolically evoking the coming conflagration. Although Church often extolled the grandeur of pristine American landscape in his work, this painting appears to have additional overtones. In his New York studio, Church painted this spectacular view of a blazing sunset over wilderness near Mount Katahdin in Maine, which he had sketched during a visit nearly two years earlier. Smooth Surface - Matte Finish - Inset Borders "Twilight in the Wilderness," by Frederic Edwin Church (1860)
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